Grayson Earle Joins Group Exhibition at Hypha Studios in London
Grayson Earle will take part in the upcoming exhibition Processing Process ~ No EnD In Site, opening at Hypha Studios Gallery 3 in London. Curated by Korina Pavlidou in collaboration with Raisa Desypri and produced by ASTRO, the exhibition brings together twelve international artists whose work explores relationality, transformation, and process-based artistic practices across disciplines. The show runs from 12 December 2025 to 17 January 2026, with a preview on 11 December.
Processing Process ~ No EnD In Site
Concept • Research • Text by Korina Pavlidou
Processing Process ~ No EnD In Site brings together a transdisciplinary group of artists exploring relationality, transformation, and the dynamics of process at the intersection of social research, the life sciences, and biotechnology. Conceived and developed from the research of Korina Pavlidou and articulated through her framing of Process-Oriented Ontology, the show is curated in collaboration with Raisa Desypri and produced by ASTRO.
The exhibition features twelve international artists (in alphabetical order): Grayson Earle (@prismspecs); Sasha Engelmann (@sasha_intheair); Jonn Gale (@balkanjonn); Ismini Gatou (@ismini_gatou); Klio Maniati (@kokomania); Katerina Markoulaki (@cath_ki); Andreas Philippopoulos-Mihalopoulos (@picpoet); Peter Polak (@sicknessinternational); Luiza Prado (@luizap); Xristina Sarli (@xristinasarli); Dan Venn (@dan.venn) and Lizzy Yarwood (@zil_doorway).
Processing Process ~ No EnD In Site becomes a living ecology of processes, highlighting the relationality, uncertainty, and unquantifiable nature of process-led artistic practices. The show probes embodied, emplaced, and ensensed materiality in constant flux, activating Gallery 3 as a metastable environment where artworks are not presented as fixed objects but as processes that generate further processes. The exhibition challenges a thing-oriented ontology, which frames existence as isolated, countable, monetised, and individual entities, and instead moves toward a relational understanding of the world. Drawing on fungal-inspired meshes and transpoiēsis the show questions closed, antirelational, autopoietic systems, while trans-dividuality and transdividuation challenge the individual as an ontological condition and individualism as a mode of governance. These themes guide the exhibition’s exploration of care and destruction, artificial intelligence and heritage, queering death, and the oscillation between discipline and indiscipline.
Processing Process ~ No EnD In Site gathers an ensemble of works that traverse mixed media drawing, painting, sculpture, photography, moving image, site-specific sound work, archival and participatory research, and bioart. Across media and method, the exhibition unfolds as a study in transformation, in conversation with the process-oriented research of Korina Pavlidou. From pigment to pixel, from microbe to signal. From the intimacy of ink and paper to the algorithmic, the ecological, the sonic and the olfactory. Artworks engage calligraphic traditions, digital systems, and material transformations in oil and light, film and sound, data and code, mycelium and ash. Each work articulates distinct yet interconnected traces and threads of lived experiences, and modes of making and unmaking, learning and unlearning. Together, these diverse artworks explore how matter and systems decompose and recompose, decay and regenerate, and exist by happening through unbound, continuous, and inconclusive process. Through this expanded field of practice, the exhibition becomes a space where listening, writing, sensing, smelling, and coding coexist, and where the boundaries between art, research, and environment remain porous, fluid, and open to change.
Processing Process ~ No EnD In Site presents a Public Programme running from Thursday December 11 December 2025 to Saturday 17 January 2026. Coming together through relation, the show facilitates public philosophy practices, handson workshops, and philosophy-for-children-and-youth workshops, focused on process over product, improvisation over instruction, and relationship over resolution. Through participatory, research-led, and spatially activated practices, the show invites audiences to engage with creation as an ongoing, relational, and transformative encounter. The opening on 11 December 2025 (7:30–8:00 pm) features Hydra: The Contract, performed by Andreas Philippopoulos- Mihalopoulos. On Saturday 13 December 2025 (4:00–6:00 pm), curator Raisa Desypri will walk through the exhibition in conversation with Korina Pavlidou during the Curatorial T(w)alk. On Wednesday 17 December 2025 (6.00–8.00 pm), Korina Pavlidou will present Living Unstill | Between Object-Oriented and Process-Oriented Ontology in the Arts, sharing the research and conceptual groundwork behind the exhibition. Following the winter recess, the programme resumes on Saturday 10 January 2026 with Process as an Exploration (for Youth), led by Vasilia Sofroniou and Dana Wait (11.00 am–1.00 pm), and Foxfire Fungiverse, led by Xristina Sarli (4.00–6.00 pm). The programme concludes on Friday 16 January 2026 (7:00–9:00 pm) with Matt Bluemink’s, Foam Cities: Peter Sloterdijk’s Atmospheric Philosophy, presented in collaboration with BlueLabyrinth magazine. All workshops and talks will take place in the gallery space at Hypha Studios Gallery 3 No. 1 Poultry, London EC2R 8EN.
TIME/LOCATION
PV: Thursday, 11 December 2025, 6-9pm
Performance Hydra: The Contract by Andreas Philippopoulos-Mihalopoulos at 7:30pm
Open: 12 December 2025 – 17 January 2026
Opening times: Wed - Fri: 2 - 6pm / Sat: 12 - 6pm or by appointment
Winter recess: 21 December 2025 – 6 January 2026
Hypha Studios Gallery 3 / No. 1 Poultry, London EC2R 8EN