0
Skip to Content
Kate Vass Galerie
Artists
Exhibitions
Current
Upcoming
Archive
Museum & Other Shows
Automat und Mensch - A History of AI and Generative Art
Editorial
Articles
News
Past Events
Shop
Books
Publications
Print
Digital
On-Chain Art
About
Kate Vass Galerie
Artists
Exhibitions
Current
Upcoming
Archive
Museum & Other Shows
Automat und Mensch - A History of AI and Generative Art
Editorial
Articles
News
Past Events
Shop
Books
Publications
Print
Digital
On-Chain Art
About
Artists
Folder: Exhibitions
Back
Current
Upcoming
Archive
Museum & Other Shows
Automat und Mensch - A History of AI and Generative Art
Folder: Editorial
Back
Articles
News
Past Events
Folder: Shop
Back
Books
Publications
Print
Digital
On-Chain Art
About
Print Grayson Earle
seed1118.png Image 1 of
seed1118.png
seed1118.png

Grayson Earle

CHF 550.00

The Male Gaze in the Machine #9, 2024

Instax print

Size: 7 x 8.5 cm

Unique

PRICE:

  • Print: 550.00 CHF

  • NFT: 0.5 ETH

For more information, please contact info@katevassgalerie.com

Description:

This series demonstrates how heteronormative male desire shapes the material conditions of computation. As part of a larger body of work exploring the male gaze embedded in machine learning models, this series specifically examines the algorithmic interpretation of the artist's desire. To achieve this, Earle created software that scraped the top 300 pornographic videos suggested to him by Pornhub's algorithms. These videos were deconstructed into individual frames and then used to train a neural network from scratch. The training process is displayed, revealing how the AI model "learns" to discern and reproduce the images it is fed.

The project showcases the intricate process by which machine learning models absorb and replicate the biases inherent in their training data. By using pornographic content as the basis for training, the series highlights the explicit ways in which male desire is codified into digital algorithms. As the AI model iterates and refines its output based on the provided frames, it becomes evident how such technologies can perpetuate patriarchy by reproducing problematic formal relationships between masculine and feminine forms.

The project also highlights how even logos present in the videos are learned by the algorithm, serving as artifacts that illustrate the pervasive influence of corporate branding on our libidinal desires and the digital landscapes they inhabit. This process underscores the intricate entanglement of commercial interests with personal and societal expressions, revealing the extent to which digital platforms shape and mediate our experiences of desire and identity.

Exhibited at POSITIONS Berlin Art Fair (September 2024)

Add To Cart

The Male Gaze in the Machine #9, 2024

Instax print

Size: 7 x 8.5 cm

Unique

PRICE:

  • Print: 550.00 CHF

  • NFT: 0.5 ETH

For more information, please contact info@katevassgalerie.com

Description:

This series demonstrates how heteronormative male desire shapes the material conditions of computation. As part of a larger body of work exploring the male gaze embedded in machine learning models, this series specifically examines the algorithmic interpretation of the artist's desire. To achieve this, Earle created software that scraped the top 300 pornographic videos suggested to him by Pornhub's algorithms. These videos were deconstructed into individual frames and then used to train a neural network from scratch. The training process is displayed, revealing how the AI model "learns" to discern and reproduce the images it is fed.

The project showcases the intricate process by which machine learning models absorb and replicate the biases inherent in their training data. By using pornographic content as the basis for training, the series highlights the explicit ways in which male desire is codified into digital algorithms. As the AI model iterates and refines its output based on the provided frames, it becomes evident how such technologies can perpetuate patriarchy by reproducing problematic formal relationships between masculine and feminine forms.

The project also highlights how even logos present in the videos are learned by the algorithm, serving as artifacts that illustrate the pervasive influence of corporate branding on our libidinal desires and the digital landscapes they inhabit. This process underscores the intricate entanglement of commercial interests with personal and societal expressions, revealing the extent to which digital platforms shape and mediate our experiences of desire and identity.

Exhibited at POSITIONS Berlin Art Fair (September 2024)

The Male Gaze in the Machine #9, 2024

Instax print

Size: 7 x 8.5 cm

Unique

PRICE:

  • Print: 550.00 CHF

  • NFT: 0.5 ETH

For more information, please contact info@katevassgalerie.com

Description:

This series demonstrates how heteronormative male desire shapes the material conditions of computation. As part of a larger body of work exploring the male gaze embedded in machine learning models, this series specifically examines the algorithmic interpretation of the artist's desire. To achieve this, Earle created software that scraped the top 300 pornographic videos suggested to him by Pornhub's algorithms. These videos were deconstructed into individual frames and then used to train a neural network from scratch. The training process is displayed, revealing how the AI model "learns" to discern and reproduce the images it is fed.

The project showcases the intricate process by which machine learning models absorb and replicate the biases inherent in their training data. By using pornographic content as the basis for training, the series highlights the explicit ways in which male desire is codified into digital algorithms. As the AI model iterates and refines its output based on the provided frames, it becomes evident how such technologies can perpetuate patriarchy by reproducing problematic formal relationships between masculine and feminine forms.

The project also highlights how even logos present in the videos are learned by the algorithm, serving as artifacts that illustrate the pervasive influence of corporate branding on our libidinal desires and the digital landscapes they inhabit. This process underscores the intricate entanglement of commercial interests with personal and societal expressions, revealing the extent to which digital platforms shape and mediate our experiences of desire and identity.

Exhibited at POSITIONS Berlin Art Fair (September 2024)


Copyright © 2025 Kate Vass Galerie GmbH | All rights reserved

Thank you!