Exclusive interview with Kate Vass Galerie. In this article, we focus on david young’s early ai art from 2017 to the present and feature a new series ‘Hallucinations’.

This past weekend, we were privileged to visit the museum. In this article, we delve into his journey as represented by the museum’s permanent collection and explore how he fused space, light, time and technology.

Kate Vass, founder of Kate Vass galerie in Zürich, visits with thefunnyguys in an effort to uncover her motivations and vision for this space.

10 moments from generative art timeline chapter 2: The modern era 1850-1949 by Le Random

'Lope' is Jenni Pasanen's first long-form generative ai collection, an exploration of humans as emotional animals. 'Lope' invites us to consider the interplay between the rational and the emotional, the scripted and the spontaneous, reflecting the seamless and graceful dance between ai and human imagination.

'Speciesism', the latest collection from Obvious, breaks the traditional norms to offer a modern interpretation of our interactions with different intelligent entities, including the rapidly evolving field of machine learning and artificial intelligence. This series invites viewers to question the categorization of intelligent life into distinct classifications, challenging our understanding of other beings, from the exploitation of animals to ensure our food chain, to the ongoing discourse around new forms of intelligence in the machine learning field.

Today, we commemorate the birthday of the artistic visionary, Desmond Paul Henry (1921-2004), whose pioneering approach to art continues to influence and inspire. An esteemed philosopher and Manchester University lecturer, Henry was at the forefront of the global computer art movement of the 1960s. It was in our historical exhibition, "Automat und Mensch," where we had the honor of showcasing Henry's beautiful machine-generated pieces.

Celebrating the birthday of artist Kjetil Golid, we take a closer look at his remarkable career in generative art. Hailing from Norway, Kjetil explores algorithms and data structures through captivating visualizations. His projects fuse aesthetic visuals with original algorithms, resulting in mesmerizing and unpredictable outcomes. Kjetil advocates for creative expression through programming, openly sharing his code and even developing user-friendly tools for non-coders to create interactive visuals.

Let's start with last year's biggest AI sensation: ChatGPT. It is a language model developed by OpenAI. It was created to generate human-like responses to natural language and to assist in various tasks. The development started with the creation of its predecessor, GPT-1, in 2018. Since then, the San Francisco-based artificial intelligence company has been working to improve its language generation capabilities through iterative training on large datasets of text. Developers have been feeding the system large amounts of text, such as books, articles, and websites, and using this data to teach it patterns to generate coherent responses.

One of the earliest AI systems, AARON, was developed in the 1970s by Harold Cohen. AARON created paintings and drawings based on a set of rules and decision-making processes that Cohen programmed into the software. Since AARON's development, many other AI-based tools and software have been created to aid artists in their work. These tools have contributed to the field of AI art and have made it possible for artists to explore new forms of creativity and expression. In this article, we will discuss some of the recent AI tools and software that have emerged in the 21st century and are widely used in the art world: DALL-E and Midjourney.

This article delves into the origins of film as an artistic medium, tracing its roots to earlier traditions such as storytelling, literature, theatre, and visual arts, and examines its development as a visual art form using film technologies from the late 19th century.